For Writers - Vacuums Suck

Before we begin, I want to give a shout out and special congratulations to Marsha Skrypuch for her Crystal Kite win. Her book STOLEN CHILD is the selection for The Americas. (Crystal Kite winner list here.)

As one of Marsha's crit partners, I had the privilege of reading much of the book in early stages as well as the completed book, and I highly recommend STOLEN CHILD (and her entire list.). Marsha's research and detail in writing are excellent. But it's how she brings the characters to life that really makes her books special.

For those who haven't heard my Marsha story, she is the one who passed along an opportunity to submit to my current publisher, and set me on the path I'm walking (and writing) now.

I met her online through the Compuserve Books and Writers Community, where she serves as the most excellent sysop of the kidlit group. She is a multi-award-winning author from Canada and I'm a fangirl. Being involved on the list gave the opportunity to get to know her. We've been friends now for nearly a decade. This August we'll get to meet up again in person for only the second time at the SCBWI conference this August in LA (where I'll get to cheer her on as she will be announced and presented with the award!) I have a great deal of admiration and respect for Marsha, and I can't thank her enough for her friendship, mentoring, encouragement and support. Her Crystal Kite win is much deserved!

And this leads me to this week's writer tip:

Don't write in a vacuum.

No matter where you are - geographically or in your writing journey - you don't have to walk the path alone. Seek out other writers. Join a writing group or organization. Attend writers' conferences. Sign up for workshops. Volunteer. Get involved. Get to know, encourage, and support other writers locally and online. Reach out. Connect. Network.

Speaking for myself, networking has made all the difference in my writing experience. Believe me, I understand busy. I totally get crazy. In just the time I've known Marsha, I've bounced from Ohio to Arizona to Michigan to Japan and back to Ohio, battled health problems, raised four kids, and juggled everything else that comes with being a wife and mom... and a writer. But I've also served as the SCBWI Tokyo Regional Advisor, started blogging with Teen Fiction Cafe and the Girlfriends Cyber Circuit, joined Young Adult Authors Against Bullying, and made numerous author and writer friends locally and online. Since moving back to the States, I've found fantastic chapters of the SCBWI, RWA, and Sisters in Crime in my area. I've joined a fabulous local crit group. With the strength of all these writer friends behind me, I've written ten books (six published, four on the way next year) and contributed to four anthologies (including DEAR BULLY, which will be released in August.)

Also, as well as Marsha being my connection to the first book, Wendy Toliver, who I met in an online group, introduced me to Marley Gibson, who gave me a referral to my current agent. Megan Kelley Hall and Carrie Jones are in the GCC group, and made it possible for me to get involved with YAAAB and the DEAR BULLY project. On my own, I would have missed out on all of these opportunities.

The moral: Reach out to other writers. You never know when you could be on the receiving - or more importantly, giving - end of an opportunity, break, tip, connection, voice of reason, whatever, that could make the all the difference for someone... maybe you.


This week's link roundup:

What's your book about? (Jamie Gold) Bonus: excellent links within an interesting post.

Title bling (Adventures in Children's Publishing) Remember PRISM

Rock the Opening (Seeing Creative) Make those first paragraphs really count!

Rock the 1st Chapter (Wordplay) What's the unanswered question in your opening page?

Astrological Signs as Character Building Tools (Guardian Cats) Fun

More Character Building - Right or Left Brained? (The Character Therapist) Quiz

Characters and Archetypes (Daily Writing Tips) Archetypes & personality traits. Excellent.

10 Tips to Improve Your Writing (Publetariat) Excellent general purpose tips.

8 Things to Consider When Naming Characters (Jody Hedlund) General principles...

8 Tips for Fantasy Writers (Ingrid's Notes) c/o Bruce Coville

5 Ways to Gauge Your Story's Potential (Write it Sideways) Using the senses.

4 Visual Tools to Help Writers (The Kill Zone) Bonus: Read comments for even more tool ideas.

4 Tips to Help Strengthen Dialog (QueryTracker)

3 Aspects of Showing, Not Telling (Victoria Mixon) Let your readers experience the story.

3 Common Mistakes to Avoid (Blood-red Pencil) Don't pull your reader out of the story.

Separating Confidence From Self Doubt (Nathan Bransford) Have the strength to doubt.

Vary Sentence Structure (Adventures in Writing) Short and sweet and oh, so true.

More on Sentences (Blood-Red Pencil) Tricks to give them punch.

Inspiration to stick with it. (Teaching Authors) A writer is stronger for the journey.

Inspiration from Libba Bray (Libba Bray) "Leave yourself open to unguarded truths." Beautiful.

More on inspiration (Gail Carson Levine) Where do you find yours?

Matching your ms to the right publisher/editor (John Briggs Books) Do your homework.

Query letters (Kidlit) There is not one true and only way to write a query.

More on queries (Kidlit) Avoid the obvious.

For Picture Book Writers (Darcy Pattison) 99 Picture Books to Study.

Disconnect (Beyond the Margins) Reclaiming our time. Um, sounds like a good place to end this link list, huh?

Now go. Write!

For Writers - Historical Writing with Marsha Skrypuch

This week's tip is from Marsha Skrypuch, multi-award-winning author of books for children and teens, including STOLEN CHILD, CALL ME ARAM, and DAUGHTER OF WAR. Marsha is known for encouraging other writers. I actually met her online through her gig as the leader of the kidcrit group on the Compuserv Books and Writers' Community. She's been a friend, crit partner, and mentor ever since. Marsha also teaches workshops in her home town of Brantford and all over Canada.

You can find Marsha online on her website, her blog, and by following her on twitter.

Marsha says:

Writing the first draft for historical fiction:

Just last week I finished the companion novel to my 2010 juvenile
historical, Stolen Child. It is called Making Bombs For Hitler and is
scheduled to be published by Scholastic in 2012. Writing it took four
intense months.

Steps:

Do preliminary research of the era you want to write about and try to
imagine yourself living in that time. Non-fiction children's books are a
great preliminary research tool. Also encyclopedias and textbooks. At
this stage you just want to gather enough background to get the general
lay of the land.

In order to come up with a premise for a novel, ask yourself: What would
happen if...

Think in terms of a dilemma for a person in your historical era.

As an example, for my 2008 Armenian genocide novel Daughter of War, the
question was: If you were pregnant by rape but survived a genocide,
would you want your fiance to find you?

If you can't boil your novel idea down into a question like that, it's
too unwieldy a concept.

Do an outline. I hate outlines, but it is amazing what you can
pre-organize by doing a one or two page point form plotting of your
entire novel.

Try writing a sample chapter or two. This will help you narrow down the
point of view, as well as voice and tone.

After you've done the outline and initial chapters, do more research.

Do read memoirs, diaries, newspaper articles, recordings, interviews,
maps, city directories of your era. Look at photographs. If people are
still alive, talk to them.

Do not read novels set during your era. If you do that, you may
unconsciously pick up inaccurate bits, or you could unwittingly copy the
author's style or turns of phrase.

Try to get opposing points of view of the same situation. As an example,
when I was researching Daughter of War, I consulted both Armenian and
Turkish memoirs, as well as those of missionaries and medical personnel
of the time. Inter-library loan and abebooks.com are great resources for
this sort of item.

Over-researching is great procrastination technique. Not only do you
waste time, but you'll also be tempted to use everything you learn,
which makes for a very boring novel.

I like to do commando research -- ie -- only as much as I'll need for
the next 20 pages or so. When I dry out, I do more.

Now start writing!

Think in terms of scenes. You don't have to write the story in order. I
like to start with the scene that is most vivid in my imagination. As I
write each scene, I decide whether it comes before or after that first
one. As the writing continues, the story develops like raindrops forming
a puddle. Don't worry about sticking to your outline. Let your
characters take you to new places.

Goal one is to get the first draft finished.

Set yourself a schedule. It might be to write one new page a day, or
maybe to write just one new paragraph a day. I like to write one scene a
day. Butt in chair (or feet under tread desk) and get those words out.
Don't get up (or get off) til your goal is achieved.

Don't give in to excuses. The most lame one is that you're too busy to
write. Writing can be done in a steno pad while waiting in line at the
grocery store or watching your kids play baseball, or on the subway. My
favourite writing place is at an airport.

Do not keep going back to page one in an attempt to make it perfect.
That is just a procrastination technique. First drafts aren't supposed
to be perfect.

Once you finish your first draft reward yourself!

It is a huge achievement to be able to write The End. Go to the movies,
Eat chocolate. Drink wine.

Let that first draft cool off for a couple of days before looking at it
again. Once you've given your brain a chance to clear, print your draft
and read it aloud, carefully, a few pages at a time. You will be amazed
at what you can catch when you speak your words and read them on paper
instead of the screen.

There are many more steps to revision, but that's another post.

This Week's Link Roundup:

Revise without Compromise (Writer Unboxed)

Avoiding the Bite of Revision (Paranormal POV)

The Process of Revision (SCBWI Blog)

Rough Draft Triage (League of Extraordinary Writers)

Ten Tips for Taming a To-do List (Tawna Fenske)

Eight Rules That Aren't Necessarily True (The Literary Lab)

Five Rules You Should Break (Victoria Nixon)

Four Writers' Master Skills (James Killick)

Four Levels of Transition (Mary Carroll Moore)

The Dreaded Synopsis (Genreality)

How to Avoid Head-hopping (JamiGold)

Character Choices That Matter (The Other Side of the Story)

Depth of Character (Writer Unboxed)

Complete Characters (Paranormal POV)

Perfect Stories - Veronica Mars (Kiersten Writes)

**Layering Conflict (Anna Staniszewski)

Dramatic vs. Melodramatic (Julie Musil)

Emotions and Writing (Help! I Need a Publisher!)

The Heart of Writing (Penniless Writer)

Sound Effects in Writing (NouveauWriter)

Processes and Page Counts (Genreality)

Weekly plug for next month's Mystery Writing online workshop: (CRW)

Now go! Write!

Party with Marsha Skrypuch

Welcome Marsha Skrypuch to the party!

Marsha has been a friend and mentor for over a decade. She's actually the one who gave me the lead that led to my first book. Marsha is the award-winning author of a dozen books for children and young adults. She has a passion for writing about the bits of history that have been shoved under the carpet. As of 2009, she has written five novels set during the Armenian genocide -- more than any other author in the English speaking world. She also wrote Enough, the first commercially published children's book set during the Holodomor (Stalin-induced famine in Ukraine). Enough had been turned down by many publishers who considered the topic too "controversial" for children, but it was published in 2000 by Fitzhenry & Whiteside and is still popular nine years later. When it came out, Marsha received hate mail and death threats. In May 2008, President Victor Yuschchenko of Ukraine bestowed upon Marsha the Order of Princess Olha for her championing of the Holodomor. Her latest book, STOLEN CHILD, looks at the Nazi era and World War II.

Here's the lowdown on STOLEN CHILD:

They call her the “Hitler Girl” . . .

Stolen from her family by the Nazis, Nadia is a young girl who tries to make sense of her confusing memories and haunting dreams. Bit by bit she starts to uncover the truth — that the German family she grew up with, the woman who calls herself Nadia’s mother, are not who they say they are. Beyond her privileged German childhood, Nadia unearths memories of a woman singing her a lullaby, while the taste of gingersnap cookies brings her back to a strangely familiar, yet unknown, past. Piece by piece, Nadia comes to realize who her real family was. But where are they now? What became of them? And what is her real name? This story of a Lebensborn girl — a child kidnapped for her “Aryan looks” by the Nazis in their frenzy to build a master race — reveals one child’s fierce determination
to uncover her past against incredible odds.

Marsha's Numbers and her Response:

Your compound number values are sixteen, thirty, and ten.

Ten is a number of honor, of faith and of self-confidence. Ten is a fortunate number that indicates that one’s plans are likely to be carried out – however, it is symbolized by the wheel of fortune, whi

ch can signal a rise and fall in success.

Honor, faith? Sure. Self-confidence? Not so much. And that wheel of fortune I sure do agree with. The ups and downs of being an author are completely unpredictable.

Sixteen is a warning to guard against the defeat of one's plans. It should be carefully noted and plans made in advance to avert its fatalistic tendency. Sixteens should trust their intuition to avoid hardship.

This fits well. I write about those bits of history that many would rather stay shoved under the carpet. Being the genocide queen of YA lit means getting my share of hate mail and death threats.

Thirty is a number of thoughtful deduction, incisive thinking, retrospection, and mental superiority. A person with this vibration often chooses to put all material things to the side. It can be a powerful or indifferent vibration, depending on the mental outlook of the person it represents.

If this means that I am entirely oblivious to the material world when I'm plunged in the midst of writing, it fits.

Your name number vibration is one

The number one indicates someone who is creative, independent, original, individual. Ones are good self-starters and natural leaders. Ones show interest in the arts, such as singing, acting, writing, painting, and love to curl up with a good book.

That sounds great! (except for the singing)

Today's daily giveaway is a signed copy of NEED by Carrie Jones.